The opera’s premise is that a sequence of smells guides us through a oblique parable about industrialisation, through short episodic bursts of information. Some smells are dirty, like the rubber of a train in Paris, and others are classically blended harmonically well-rounded scents. Occasionally, a clean, neutral, pure sound arrives as a little flute-scented garden which should have the effect of clearing the chaos of the surrounding music (and, indeed, smells).
Nadia Sirota and Helgi Hrafn Jónsson join us as two of the essential voices that bind the narrative together. The multivalent collaboration yielded many surprising results: a 14-minute score that is funny, aggressive, shape-shifting, electronic, acoustic, and strange
Composed by Nico Muhly & Valgeir Sigurðsson
Produced by Valgeir Sigurðsson
Orchestrated & Conducted by Nico Muhly
Engineered, Mixed & Mastered by Valgeir Sigurðsson at Greenhouse Studios, Reykjavík
Green Aria, a Scent Opera was created, written and directed by Stewart Matthew
Scents by Christophe Laudamiel
Commissioned by Works & Process at the Guggenheim Museum (NY)
Helgi Hrafn Jónsson
Marimba, Vibraphone, Tubafone: Frank Aarnink
Kristín Björg Ragnarsdóttir
Rósa Hrund Guðmundsdóttir
Hrafkell Orri Egilsson
Bass Clarinet:Snorri Heimisson
Piano, Celesta, Dulcitone, Glockenspiel, Percussion: Nico Muhly
Programming, Synth: Valgeir Sigurðsson
Artwork by Muriel McDonald
Nico Muhly published by St. Rose Music Publishing Co., Inc.
Valgeir Sigurðsson published by Faber Music Ltd.